![]() Vous pouvez modifier vos choix à tout moment en accédant à la section Cookies et choix publicitaires. ![]() ![]() Cliquez sur Refuser pour refuser, ou sur Personnaliser pour faire des choix publicitaires plus détaillés, ou pour en savoir plus. Nous utilisons également ces cookies pour comprendre comment les clients utilisent nos services (par exemple, en mesurant les visites de sites) afin de pouvoir apporter des améliorations. Les 103 tiers qui utilisent des cookies sur ce service le font dans le but d'afficher et de mesurer des publicités personnalisées, de générer des informations sur l'audience, et de développer et d'améliorer des produits.ĭans tous les cas, nous utilisons des cookies et des outils similaires, qui sont nécessaires pour vous permettre d'effectuer des achats, d'améliorer votre expérience d'achat et de fournir nos services, comme indiqué dans notre Politique relative aux cookies. Les cookies stockent des informations standard relatives à un appareil, telles qu'un identifiant unique, ou y accèdent. Votre choix s'applique à l'utilisation des cookies publicitaires internes et tiers sur ce service. Nous pourrons également utiliser des informations personnelles provenant de tiers (comme des informations démographiques, par exemple).ĭe plus, si vous y consentez, nous utiliserons également des cookies pour compléter votre expérience d'achat dans les boutiques Amazon, comme indiqué dans notre Politique relative aux cookies. Par exemple, nous pourrons utiliser votre historique des vidéos regardées sur Prime Video pour personnaliser les publicités que nous affichons sur nos Boutiques ou sur Fire TV. The series was relaunched by NBC for a single season in 1985-1986, and taken up by USA Network 1987-1989 Hitchcock's iconic introductions were colourized and reused in both these versions.Si vous y consentez, nous pourrons utiliser vos informations personnelles provenant de ces Services Amazon pour personnaliser les publicités que nous vous proposons sur d'autres services. Further episodes used fantasy and supernatural themes: these included "The Magic Shop" (10 January 1964), based on H G Wells's "The Magic Shop" (June 1903 The Strand). In "Consider Her Ways" (28 December 1964), based on John Wyndham's novella "Consider Her Ways" (in Sometime, Never, anth 1956, ed anon) a woman finds herself transported to an all-female future where men have died out from the side effects of an experimental virus. ![]() "The Doubtful Doctor" (4 October 1960), adapted by Jerry Sohl from "The Doubtful Doctor" (2 April 1960 Saturday Evening Post) by Louis Paul, concerns a man transported two and a half years into his own past (see Time Travel). "The Blessington Method" (15 November 1959), based on "The Blessington Method" (June 1956 Ellery Queen's Mystery Magazine) by Stanley Ellin (1916-1986), is set in a 1980 future when the human lifespan has been extended to 125 years and a company for hire eliminates troublesome relatives who have lived too long Ellin's most famous story "Specialty of the House" (May 1948 Ellery Queen's Mystery Magazine), a disturbing tale about a restaurant's mysterious special dish, was also adapted as "Specialty of the House" (13 December 1959). "Special Delivery" (29 November 1959), with an original screenplay by Bradbury, implies an Alien Invasion by spores from space and became his story "Come into My Cellar" (October 1962 Galaxy vt "Boys! Raise Giant Mushrooms in Your Cellar!" in The Machineries of Joy coll 1964). In "Design for Loving" (9 November 1958) adapted by Ray Bradbury from his own story "Marionettes, Inc" (March 1949 Startling), people purchase lifelike Android duplicates of themselves to fool their spouses. The following instalments are of particular sf interest. Episodes were almost always adapted from published stories and generally featured twist endings although the vast majority were crime dramas, a good handful fell into the genres of horror, fantasy and sf. Black and white.Īlfred Hitchcock hosted this anthology series, appearing at the beginning and end of every episode to amuse audiences with deadpan humour, usually aimed at the commercials. 361 episodes 268 of 25 minutes under the original title and, from September 1962, 93 of 50 minutes as The Alfred Hitchcock Hour. Writers included Ray Bradbury, Robert Bloch, Harlan Ellison, Richard Matheson, Charles Beaumont, John Collier and Stirling Silliphant. Directors included Hitchcock, Robert Stevens, Paul Henreid, Herschel Daugherty, Norman Lloyd, Arthur Hiller, Alan Crosland Jr, James Neilson and Jus Addiss. ![]() Producers were Joan Harrison and Norman Lloyd. Shamley Productions for Revue Studios, Universal Television. ![]()
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